Bell, P and Ommer, B (2018). Computer Vision und Kunstgeschichte ? Dialog zweier Bildwissenschaften. Computing Art Reader: Einführung in die digitale Kunstgeschichte, P. Kuroczyn?ski et al. (ed.)

 Bell, P and Ommer, B (2016). Digital Connoisseur? How Computer Vision Supports Art History. Connoisseurship nel XXI secolo. Approcci, Limiti, Prospettive, A. Aggujaro & S. Albl (ed.). Artemide, Rome

 Bell, P and Ommer, B (2015). Training Argus. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege. Zentralinstitut für Kunstgeschichte. 68 414--420

 Takami, M, Bell, P and Ommer, B (2014). An Approach to Large Scale Interactive Retrieval of Cultural Heritage. Eurographics Workshop on Graphics and Cultural Heritage. The Eurographics Association

 Monroy, A, Bell, P and Ommer, B (2014). Morphological Analysis for Investigating Artistic Images. Image and Vision Computing. Elsevier. 32 414--423

 Takami, M, Bell, P and Ommer, B (2014). Offline Learning of Prototypical Negatives for Efficient Online Exemplar SVM. Winter Conference on Applications of Computer Vision. IEEE. 377--384. http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=6836075

 Arnold, M, Bell, P and Ommer, B (2013). Automated Learning of Self-Similarity and Informative Structures in Architecture. Scientific Computing & Cultural Heritage

 Monroy, A, Bell, P and Ommer, B (2013). A Morphometric Approach to Reception Analysis of Premodern Art. Scientific Computing & Cultural Heritage

 Bell, P, Schlecht, J and Ommer, B (2013). Nonverbal Communication in Medieval Illustrations Revisited by Computer Vision and Art History. Visual Resources Journal, Special Issue on Digital Art History. Taylor & Francis. 29 26--37. http://www.tandfonline.com/doi/abs/10.1080/01973762.2013.761111

 Monroy, A, Bell, P and Ommer, B (2012). Shaping Art with Art: Morphological Analysis for Investigating Artistic Reproductions. Proceedings of the European Conference on Computer Vision, Workshop on VISART. Springer. 7583 571--580