P.  Bell and Ommer, B., ?Computer Vision und Kunstgeschichte ? Dialog zweier Bildwissenschaften?, in Computing Art Reader: Einführung in die digitale Kunstgeschichte, P. Kuroczyn?ski et al. (ed.), 2018.

P.  Bell and Ommer, B., ?Digital Connoisseur? How Computer Vision Supports Art History?, in Connoisseurship nel XXI secolo. Approcci, Limiti, Prospettive, A. Aggujaro & S. Albl (ed.), Rome: Artemide, 2016.

P.  Bell and Ommer, B., ?Training Argus?, Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege, vol. 68, p. 414--420, 2015.

M.  Takami, Bell, P., and Ommer, B., ?An Approach to Large Scale Interactive Retrieval of Cultural Heritage?, in Eurographics Workshop on Graphics and Cultural Heritage, 2014.

A.  Monroy, Bell, P., and Ommer, B., ?Morphological Analysis for Investigating Artistic Images?, Image and Vision Computing, vol. 32, p. 414--423, 2014.

M.  Takami, Bell, P., and Ommer, B., ?Offline Learning of Prototypical Negatives for Efficient Online Exemplar SVM?, in Winter Conference on Applications of Computer Vision, 2014, p. 377--384.

M.  Arnold, Bell, P., and Ommer, B., ?Automated Learning of Self-Similarity and Informative Structures in Architecture?, in Scientific Computing & Cultural Heritage, 2013.

A.  Monroy, Bell, P., and Ommer, B., ?A Morphometric Approach to Reception Analysis of Premodern Art?, in Scientific Computing & Cultural Heritage, 2013.

P.  Bell, Schlecht, J., and Ommer, B., ?Nonverbal Communication in Medieval Illustrations Revisited by Computer Vision and Art History?, Visual Resources Journal, Special Issue on Digital Art History, vol. 29, p. 26--37, 2013.

A.  Monroy, Bell, P., and Ommer, B., ?Shaping Art with Art: Morphological Analysis for Investigating Artistic Reproductions?, in Proceedings of the European Conference on Computer Vision, Workshop on VISART, 2012, vol. 7583, p. 571--580.