Publications

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Journal Article
Bell, P and Ommer, B (2015). Training Argus. Kunstchronik. Monatsschrift für Kunstwissenschaft, Museumswesen und Denkmalpflege. Zentralinstitut für Kunstgeschichte. 68 414--420
Bell, P, Schlecht, J and Ommer, B (2013). Nonverbal Communication in Medieval Illustrations Revisited by Computer Vision and Art History. Visual Resources Journal, Special Issue on Digital Art History. Taylor & Francis. 29 26--37. http://www.tandfonline.com/doi/abs/10.1080/01973762.2013.761111
Monroy, A, Bell, P and Ommer, B (2014). Morphological Analysis for Investigating Artistic Images. Image and Vision Computing. Elsevier. 32 414--423PDF icon Technical Report (2.86 MB)
Conference Paper
Monroy, A, Bell, P and Ommer, B (2012). Shaping Art with Art: Morphological Analysis for Investigating Artistic Reproductions. Proceedings of the European Conference on Computer Vision, Workshop on VISART. Springer. 7583 571--580PDF icon Technical Report (7 MB)
Takami, M, Bell, P and Ommer, B (2014). Offline Learning of Prototypical Negatives for Efficient Online Exemplar SVM. Winter Conference on Applications of Computer Vision. IEEE. 377--384. http://ieeexplore.ieee.org/xpl/articleDetails.jsp?arnumber=6836075
Monroy, A, Bell, P and Ommer, B (2013). A Morphometric Approach to Reception Analysis of Premodern Art. Scientific Computing & Cultural HeritagePDF icon Technical Report (17.75 MB)
Arnold, M, Bell, P and Ommer, B (2013). Automated Learning of Self-Similarity and Informative Structures in Architecture. Scientific Computing & Cultural Heritage
Takami, M, Bell, P and Ommer, B (2014). An Approach to Large Scale Interactive Retrieval of Cultural Heritage. Eurographics Workshop on Graphics and Cultural Heritage. The Eurographics AssociationPDF icon Technical Report (7.94 MB)
Book Chapter
Bell, P and Ommer, B (2016). Digital Connoisseur? How Computer Vision Supports Art History. Connoisseurship nel XXI secolo. Approcci, Limiti, Prospettive, A. Aggujaro & S. Albl (ed.). Artemide, Rome
Bell, P and Ommer, B (2018). Computer Vision und Kunstgeschichte — Dialog zweier Bildwissenschaften. Computing Art Reader: Einführung in die digitale Kunstgeschichte, P. Kuroczyński et al. (ed.)PDF icon 413-17-83318-2-10-20181210.pdf (2.98 MB)